Carlisle at Night

Looking back through my catalog of images, I see that the last time that Annette and I were out shooting was the beginning of November.  That's three months of photographic inactivity!  Wow!

Last night we finally decided to shoot and it felt good.

The Harrisburg Camera Club is trying a themed competition for the March event.  The them is outside night photography.  Fortunately, they set up a photo shoot to give an opportunity to get out with fellow shooters and get a night shot.

The venue was downtown Carlisle.  It makes an impact when 12 or so tripod toting people wander through the town pointing their cameras at everything in sight.  Some guys asked some of the group who we were and what we were doing.  He said we were the talk of the town!

Here are a couple of the shots that I took.  They are vastly different!

Speaking of different, no wonder they say that two photographers shooting side by side will come up with very different shots of the same subject, when I go three very different shots and I am only one photographer.

Downtown Carlisle on the Square

I had to wait a while to get this shot.  I did not want any cars coming toward me.  Their lights would have been way too bright!  But I did want cars going away or crossing in front of me so that I could capture the streaks.

Abstract Neon at Night

The abstract pictures that I took last night were actually the most fun! I need to do more!

Bar Light

I usually do not do photojournalistic type of stuff.  But I liked the light fixture and the lettering is an indicator of the times.  You know...It wasn't that long ago that a person could smoke in any bar or restaurant.  Restaurants had Smoking and Non-Smoking sections.  Now it is a selling point that you can smoke in this bar.

Shadows and Light in Harrisburg

This past Sunday, Annette and I joined a group from the Harrisburg Camera Club on a photo shoot in downtown Harrisburg.  Annette and I were running behind so we joined the group after they had made their way up State Street and were moving toward North Street.

It is difficult for me to see pictures of the city.  I guess I can't see the forest for the trees?!?!?!  So I choose to concentrate on details.  You'll see what I mean in some of the photos below.

We were lucky on Sunday in that we were on North Street at the right time of the day at the right time of the year so that the sun was in line with the street and raked across the front facade of the buildings.

Here are some pictures from the outing.

In the picture above I was trying to capture the shadows of the vines and the tenement appearance of the building (my apologies to the owner of the building!).

 In this picture, the sunlight was almost parallel to the surface of the grate.  The damaged part that was pushed out, caught the light and created a shadow.  With the light raking along the surface, even the small flakes of paint cast a shadow.

Can you imagine what this is???  It's a mundane object.  But isn't it cool the way the light rakes across the object and the little bumps cast long shadows?

I think everybody at the photo shoot took a picture similar to this!  But the light was so fascinating!  I liked that the sun was just hidden by the wall and created a glow around the edge of the building.  I like the way the sun was almost parallel to the ceiling and painted it with a special light.  I liked the way the texture of the stones in the column cast shadows.

I hope you enjoyed the pictures.

Until next time...

Anderson Mill

Earlier this year, the president of the Harrisburg Camera Club was looking for suggestions for photo field trips.  Before I could think, I opened my mouth and said that Annette and I had always wanted to spend some time at the Anderson Grist Mill.  He took that innocent comment to mean that I was volunteering to arrange for the photo shoot.  So, I did.

On October 9, 2011, Annette and I hosted the Harrisburg Camera Club at the Anderson Grist Mill.  Everyone seemed genuinely excited to see all of the fascinating, old-fashioned items in the mill.  There were so many things.  There were so many textures, shadows and patterns.

Because of the way the mill is squeezed between the creek and the road, it was difficult to get an overall view of the mill.  So we concentrated on getting details.  Here are a few detail shots of mine.

Shaker Gears

 I don't know the name of the machine that these gears were part of, but the vertical shaft going out of the top of the picture turned an eccentric wheel that shook the ground grain.  I assume it was some sort of sifter.

Chain Drive

Elevator Cup

 I innocently called a strap with cups that moves the grain in a vertical direction a conveyor.  I was quickly corrected.  To move the grain in a vertical direction an elevator is used.  To move it in a horizontal direction, a conveyor is used.  Even though they are both made from the same components and the only difference is their orientation!  Live and learn...

The Tool Room

 I played around in this room for quite a while.  I wanted to get the exposure such that I could see the scenery outside and the inside would look like it was lit by the window.  It was easier said than done.

First the window exposure had to be right.  The amount of light coming through the window can't be changed, so I dealt with it first.

Then light had to be added to the wall of tools.  That was tricky.  First I experimented with on-camera flash at various output levels and pointed in various directions.  Then I tried off-camera flash at various levels.  I even tried a reflector to reflect sunlight from the window behind the camera on to the tools.

Wooden Gear Teeth

 This is fascinating to me.  Wooden gear teeth!  How did they carry the load?  Why didn't they break?

But on the other hand...

• Wooden gear teeth are much quieter.  
• Wooden gear teeth can be replaced relatively easily.
• Wood was readily available.

The Side of the Mill

Another thing that truly fascinated me was the ingenuity that went in to the design of the building and the workings of the mill.  I assume that the men were faced with a lack of money, lack of steel components but were blessed with an abundance of wood.  All of the chutes and ladders and walls and structure of the mill were made from wood.  There were some steel or iron components, but they were only used where they had to be used.

I believe that each mill is unique.  Sure, the designer/builder could visit other mills to see how they were built, but each mill site has its own set of constraints.  The designer/builder would have to use his experience and intelligence to make the new mill the best it could be at the new site.

This is much like photography.  The photographer must use his experience, what he has observed in other photographs and his intelligence to make an image that is new and is the best it can be.

Get out there and shoot!

Assateague Sunrise

In the middle of September, Annette and I took my mother to Assateague, as we have a few times before.

One of the great things about the trip was that even though it was raining for the entire time back home, the weather in Assateague, Chincoteague and Ocean City was OK.  It was overcast but no rain that stopped us from doing anything.

Each of the two mornings we were there, Annette and I got out of bed early and headed to the beach for sunrise.  However, because of the aforementioned weather, the sunrises were not spectacular.  But we tried our best to make some worthwhile images.

Assateague Sunrise Panorama 

Notice the handicap accessible viewing platform on the right.  Mom was very interested in the platform because my sister's ex-husband had gotten married there just a few weeks earlier.  It is a beautiful setting.

Sunrise Beach Expanse

 This shot shows the emptiness of the beach at that hour of the day.  If you are looking for a picture without people, get up early!

Sunrise Beach Strollers

Well...You can't avoid people altogether!  However, this early-morning couple add a sense of scale to the image.

Expansive Sunrise Sky

In this image, the wide-angle lens helps gives a sense of wide open space that is textured by the clouds.

Boardwalk to the Sea

In all of these images, I was experimenting with the capabilities of Annette's new wide angle (10-22mm) lens.  Sometimes a new pieces of equipment will give you a new way of seeing.

Get out there and shoot!

Experimenting with Fall

Annette and I are in the midst of a long weekend.  We travelled to Bath County in Virginia to enoy the fall colors and to see how well we can capture them in photographs.

It turns out that we are not doing a very good job capturing the beauty of fall.  We see the beauty all around us, but when we view our images, it's just not the same.  Landscape photography is more difficult than it looks!

At one stop we made, we were trying to capture a barn in the valley against the backdrop of the fall colors on the mountain.  But, alas, we were five minutes too late.  The barn was in teh shadow of the mountain on the other side of the valley.  Still, I tried to take the picture, but in my haste, I didn't check my settings and the shutter speed was too slow.  I got a blurry mess!

But the next day, I was shooting from the deck of the house where we are staying and I remembered that.  This time I did it on purpose.  I made some abstracts of the fall colors.

Early morning fall abstract

Tree abstract in Fall

I found that the shutter speed is important.  The shutter was open for a longer period of time in the first image than in the second.  You can tell because the lines stretch farther and there is less detail.  There is obviously more detail in the trees of the second image, which was made with a shorter shutter speed.  Experiment until you find the speed that lets you obtain the image you have envisioned.

 If you want the trees to show up as an element in the image, you must move the camera in the same orientation as the trees.  In other words, I moved the camera up and down.

Another experiment, is to modify the colors in post production.  There are so many presets that you can experiment to your heart's content.

After you apply the preset, you can modify the image with the sliders  for saturation, blacks, exposure, etc.

Check out these weird images of the Humpback Covered Bridge near Covington, VA.

Humpback Bridge in Yellows with Blue Sky

Isn't it weird how the image still has a blue sky?

Humpback Bridge in Sepia

Old time sepia color for an old time bridge.

Some experiments work.  Some do not.  The important thing is that we get out there, use our imagination, make images and continue to grow!  

Abandoned School

Another great outing!

Our camera club arranged for a shoot in an old, abandoned school in Shenandoah, PA.

The J.W. Cooper School was built in the late 1800's and went through a few iterations up until it was abandoned in 1992.  It was a high school for a while and a grade school for a while.

In one of the rooms, there were cards for the students.  On the front side of the cards were the students' grades and on the back side of the cards were rudimentary health information.

In this day and age of the ubiquitous computer, it was nostalgic to think back to the time when information was kept on paper in one place.  That piece of cardstock for a given student sat in the file in the school for the entire time that the student attended that school.  Each quarter of the school term, someone had to go the card file, pull the card and enter the student's grade for each of the classes.  Think how different that is from today, where all student information is kept on a network, where each teacher can access the network at their convenience from a location of their chosing.

There are so many opportunities for pictures when you have the run of the building.  And yet I was stymied.  I got stuck taking pictures of the stairs.  I guess I just liked the patterns of the stairs.

One fortunate thing for me was that I had Annette's 10-22mm lens that I had bought for her for her birthday in July.  It gave me a new way to look at things.  So I used it to give my creativity a boost.  You can see how I used it in the two stairs pictures and the auditorium picture below.

Stairs in the Abandoned JW Cooper School

Wide Angle View of More Stairs in the JW Cooper School

 You could never get this much of the stairs and the doorways into the frame without a wide angle lens.

The Auditorium in the Abandoned JW Cooper School

 The wide angle lens was essential for this shot.  One of the other photographers on this trip tried to take this shot with a 24mm lens and found that she could not get as much into the frame.

Light Detail

Today when you buy a light with a milky, white shade or globe, the shade or globe is made out of plastic.  It is almost indestructible.  They want to make it safe for you to tip over the lamp!

However, when we examined a couple broken shades that were lying on the floor, we found that these white shades at the school were made of heavy, white glass.

My theory is this:  Back in the day when the school was built, people had very few possessions.  They wanted to make each item that they owned last for as long as possible.  Therefore, people were more concerned with quality and durability than in how cheaply they could purchase items.  They were willing to pay more if they thought it would last longer.

Today, we all have so many possessions, many of which are designed to be disposable.  We value our things less, which also means that many people value other people's things less.  Are we headed in the right direction?

Panning and Lighting

A couple of weeks ago, my son had the opportunity to participate in Karts Against Cancer at Summit Point.  His employer wanted to race the karts and so he invited his staff to participate.

For Annette and me, this was a great opportunity to get the cameras out and try something a little different than we were used to; panning.  We had done panning before with bicyclists in some triathlons, but it had been quite a while.  In fact it was such a long while that I forgot some of the techniques that could have helped me with panning.

One of the techniques that I remembered on the way home is to:  place one of the focus points on an edge of the subject and then strive to keep it there as the subject zooms past.

Another technical point that I remembered later was to:  choose a place where the subject will stay the same distance away from the camera during the pan.  That's hard to do.

The race started with lots of sunlight.  It was easy to get a good exposure.  But, as the race went on, the sun went down and it became more and more difficult to find enough light to get a fast enough exposure.  In fact, once the sun was gone, I had the ISO cranked up as far as it would go and the aperture wide open, yet I was still getting shutter speeds that were too long.

For panning to work, you must keep the shutter open long enough for the background to blur, but not so long that you can't keep the main subject in the same position on the sensor for the entire exposure.

In the first picture below, you can see some carts in the left background.  These carts were on the back of the track headed in the direction opposite of the main subject.  Since I am panning right and they are going left, the shutter does not have to be open very long for the carts to get blurry.

During the two hours of this race, I shot about 200 pictures and only 20 of them were usable.  That is a 10% rate.  Not too good.

Let's take a look at a couple picture.

Red Helmet at Karts Against Cancer
Look how far the racers in the far background have moved during the time that the shutter was open.

Black Helmet at Karts Against Cancer
The racer is relatively sharp, yet the orange cone is stretched out.

In the Corner, Under the Lights.
I was losing the daylight and was looking for well-lit portions of the track,
when I found this corner, where the carts made a pass directly under the arc light.
I decided not to pan at this corner, but rather I set the camera on the barrier wall as a makeshift tripod.
The first two racers were coming straight at the camera and did not move much relative to the camera.
The third racer had a lot of right to left movement during the time the shutter was open.